The following interview was original conducted by and posted on The Deadite Slayer tumblr on May 21st, 2014. It is reposted here for archival purposes. All text following this introduction (with the exception of an Editor's Note in Bradshaw's response for Question 3, the image captions, and the bibliography at the bottom) is copied directly from the original post, and new images have been added throughout and after.
ORIGINAL SOURCE LINK and ARCHIVE LINK.
Below is an interview conducted with Army of Darkness artist Nick Bradshaw at Ottawa Comiccon. Nick is a comic book artist ever since the first Dynamite Entertainment issue of Army of Darkness in 2004. Nick has worked for several publishers such as Marvel and DC and his impressive resume includes Wolverine and the X-Men, Danger Girl, Re-Animator, and Guardians of the Galaxy.
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| Early proposed cover art for "Evil Dead #1" by Nick Bradshaw, which ultimately became the Army of Darkness: Ashes 2 Ashes series. This image was later printed in Dynamite's Army of Darkness Sketchbook (2004) and Army of Darkness Omnibus Volume 1 (2010). |
Q1: Can you start by telling us when you first saw the Evil Dead trilogy and the impression it left on you?
A: Actually I was a kid it was one of my brothers’ birthday parties and they rented it. I was young. I was probably about nine years old and they wouldn’t let me hang out and watch it with them. So the next morning I woke up early because I have seen parts of Evil Dead 2 that I like. I just started watching it on my own. I loved it. I wasn’t scared at all. I thought it was hilarious. But then I heard there was an Evil Dead one when we returned Evil Dead 2 to the rental place. So I took Evil Dead 2 back out with Evil Dead one. The video place, it was so funny. They shut down three days later so I kept the tapes. So I still had the original tapes for a long time until they came out on DVD. They were the first horror movies that I had that they just sort of hit to me and then I was finding all kinds of campy movies from the 60s and the 70s. Evil Dead just sort of opened that up to me. My dad had made me watch Alien when I was five and told me that it was like Star Trek so you know, I had already been exposed to a different type of horror movie but Evil Dead was just so much fun. I sort of look for those movies still.
Q2: When did you start honing your drawing skills which got you where you are today?
A: I was a kid and I used to start drawing Archie comics. I loved Archie comics! After that I started getting into superheros but then I started reading a whole lot of classic EC, Tales from the Crypt stuff, like Alex Toff, a whole lot of the artists at the time, House of Mystery from DC Comics, I loved all of that. So I was drawing all off of that stuff, ghost stories, monster stories, Marvel monsters I used to love drawing the big monster you know that kind of stuff I was really into. It just came from childhood and I just kept drawing my entire life. I never stopped after that.
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| Early "Army of Darkness" concept piece by Nick Bradshaw with colors by Etienne St. Laurent (image courtesy of Etienne St. Laurent on DeviantArt) |
Q3: Could you tell us how you got involved with Dynamite Entertainment and Army of Darkness?
A: I was in college here in Ottawa actually in Algonquin where I was studying into animation and I was always drawing Army of Darkness stuff. I did like a cartoon version of Army of Darkness that I was playing around for one of my projects. Then I just started putting some of my fan art for Army of Darkness online. I was doing all kinds of drawings of Ash, different types of monsters, stuff like that. Then Dynamic* had the license from the Army of Darkness movie, Dynamite Entertainment. They had seen some of my fan art online so they contacted me and asked if I would be interested in illustrating a book. So I said yes and being a long term fan what were the odds of that to have this fan art out there and have them contact me to illustrate the book! And you know what? I was so green at the time chances are I probably shouldn’t have been illustrating a book but it got my foot in the door and it was just too much fun. Like I mean how could you say no?
*EDITORS NOTE: Dynamic Forces is Dynamite Entertainment's parent company. Dynamite was founded with the intention of being Dynamic Forces' in-house comic production/publishing division.
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| Original "Army of Darkness" personal piece created by Nick Bradshaw in 2010. It was later colored and used as a variant cover for Dynamite's Army of Darkness: Ash Gets Hitched #1 in 2014. |
Q4: Your artwork with Army of Darkness has now spanned for a whole decade with one of the covers for the new arc “Ash Gets Hitched” being done by yourself. Did you see your relationship with this franchise lasting this long?
A: Nope. Not really. When I had moved on, I had kind of done my bit and I was leaving for other artists to sort of tackle the projects. Steve Niles has a great creative team on the book that he’s doing right now which is awesome. And it just shows you that fans just want more of this story when you hear the rumors coming around constantly coming around that Bruce was getting asked tons of times over the course of time of the weekend. One of the rumors is it really going to happen. Are going to see it? It just shows that like the fans are there. They want to support this. They want more Army of Darkness.
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| Inked original artwork for Darkman vs Army of Darkness #2 by Nick Bradshaw. |
Q5: You’ve done a lot more work for other comic publishing companies ever since like DC/Wildstorm and Marvel. How were you able to transition from Army of Darkness to work such as Wolverine and the X-Men?
A: I always was a big superhero fan too. I love drawing superheros, action sequences, stuff like that. It was something that I was always constantly into so transitioning…….I love action adventure. You know I’m not so much into the more serious story lines so being able to transfer into something that was again that was very epic and adventurous was a natural fit for me. I like cartoony superheroes with big explosions, monsters, sci-fi stuff. Wolverine and the X-Men had that in spades. Such a great title to jump into.
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| Textless artwork for Danger Girl and The Army of Darkness #1 by Nick Bradshaw. |
Q6: Is there any particular piece that you did for Army of Darkness that you admire the most?
A: They were all learning experiences. One of the things that I liked about that book. It was my first gig so every page that I was working on was like I could see the experimentation which is what I enjoy the most about that series. Probably the last piece that I did for the Army of Darkness/Danger Girl, the number one cover was probably one of the most fun because they were two titles that I worked on. It was kind of fun to bring those two things together at one point so I enjoyed that a lot. I like the editor Scott Dunbier and the creative team between both of those books. They’re good friends of mine so I really enjoyed working on that too.
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| "Army of Darkness" character study sketches by Nick Bradshaw (from Army of Darkness Sketchbook) |
Q7: As a character, what is it that you like the most about Ash and why he stands out versus penciling other characters?
A: He’s just so much fun. You know the guy will screw up and then shrug his shoulders and keep on moving. He’s such a great character. He’s a good action adventure character. He’s got every quality that as a fan you just enjoy and when you’re watching the Evil Dead movies, yeah there’s a lot of scary stuff going on but you know at the end like as soon as it starts with this guy he’s going to turn out ok. I like that about the character. As a kid every time I watch it I always thought about that. I wasn’t scared for him because the guy was such a cartoon that you know he was going to be alright by the end of it. So for me, it just sent a tone for me the type of horror movies I’ve really enjoyed. That’s what I like about him the most and Bruce pulls it off in spades.
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| Ash Williams head study sketches by Nick Bradshaw circa 2008. |
Q8: Have you been able to meet any cast and crew members from the trilogy ever since 2004? If so, could you share your experience?
A: No I haven’t gotten to meet any. I ran into uhh….Bruce was walking through the hallway one time in Chicago and I was just too nervous to actually say anything so I haven’t had a chance to meet any of them.
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| Nick Bradshaw's original pencil cover artwork for Army of Darkness vs Re-Animator #1 (2005). Herbert West's glasses were removed on the final cover. |
Q9: Army of Darkness has been in quite a few crossovers ever since being adapted to the comic book format. Films are generally expensive and risk takers for big studios. Do you feel that there is a lot more creativity in comics because of this or that anything just goes in comic books?
A: I just find comics as a medium for any project just great because you’re able to expand on the universe in different ways but like where you said like film is limited because it comes down to budget, availability, you know like Bruce has been involved with so many other projects. I’m sure they would have had another Army of Darkness movie sometime before but he’s been involved in so many great things. You have Bubba Ho-Tep, Burn Notice, you know everything that he’s had going on so I’m sure that when the stars align for them for film they’re able to go on in and do that project whereas a comic book you can take a piece of paper and take the character and just continue the adventures which is awesome. That’s what is just fun about comics. You can just pick it up and go.
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| Nick Bradshaw's inked cover for Army of Darkness (Volume 1) #10 featuring Dracula, Ash Williams, and an early concept of Eva St. George. |
Q10: Do you have a dream project or an arc idea for Army of Darkness that you’d like to work on or get made?
A: Honestly being the artist that I am today now that the fact that it’s been ten years since the beginning I would probably like to take that first story arc that we did and completely redraw it and do it all again. That’s just me as a perfectionist wanting to sit there and take my art skills that I have today and be able to put it towards that project now. Because it was my first project. I was so green at that time and I’ve learned so much since then. Every time I look back at it I keep seeing ways I could tear into it and expand on it and make it better and it would be interesting. I’d love to put them side by side and have them done if I had the time. You know that would be like a bucket list just to say ok now I can make this a hundred times better.
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| More "Army of Darkness" character study sketches by Nick Bradshaw (from Army of Darkness Sketchbook) |
Q11: Is there anything you’d like to tell the visitors of the website or Evil Dead fans in general?
A: Just keep being a fan I mean that’s what keeps it going. If we ever want to see an Army of Darkness movie or Evil Dead movie or a continuation of the series, you got to be a fan of this stuff. Just keep bugging them at the conventions for it!
Huge thanks to Nick Bradshaw, Joesph Smith and Ottawa Comiccon for making this interview happen!
Additional Artwork
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| Interior artwork from Army of Darkness: Shop Till You Drop Dead #4 by Nick Bradshaw. |
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| Interior artwork from Army of Darkness: Shop Till You Drop Dead #4 by Nick Bradshaw. |
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| Inked original artwork for Darkman vs Army of Darkness #4 by Nick Bradshaw. |
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| Inked original artwork for Tales of Army of Darkness (2006) one-shot by Nick Bradshaw. |
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Inked original artwork for Army of Darkness (Volume 1) #6 by Nick Bradshaw.
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| Early "Evil Dead" comic artwork by Nick Bradshaw. This image was later printed in Dynamite's Army of Darkness Sketchbook (2004) and Army of Darkness Omnibus Volume 1 (2010). |
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| Inked original artwork for Army of Darkness: Ash's Christmas Horror (one-shot) by Nick Bradshaw. |
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Inked original artwork for Darkman vs Army of Darkness #1 by Nick Bradshaw.
Nick Bradshaw's Officially Licensed ARMY OF DARKNESS Bibliography (as of 2026)- Army of Darkness: Ashes 2 Ashes (2004) - Interior artwork and covers for Issues 1-4
- Army of Darkness Sketchbook (2004) (One-Shot) - Interior artwork and cover art
- Army of Darkness: Ashes 2 Ashes Director's Cut (2004) (One-Shot) - Interior artwork
- Army of Darkness: Shop 'Till You Drop Dead (2004) - Interior artwork for Issues 1, 2, & 4, and covers for Issues 1-4
- Army of Darkness vs. Re-Animator (2005) - Interior artwork for Issues 2 & 3, covers for Issues 1-4
- Dynamic Forces Army of Darkness Trading Cards (2005) - Reuses previously published artwork from Ashes 2 Ashes and Shop 'Till You Drop Dead, as well as 1 of 1 sketch cards
- Darkman vs. Army of Darkness (2006) - Cover artwork for Issues 1-4
- Army of Darkness (Ongoing; Volume 1) (2006-2007) - Covers for Issues 5-12
- Dynamite Army of Darkness Limited Edition Lithographs (2007) - Three lithographs reusing previously published artwork
- Tales of Army of Darkness (2006) (One-Shot) - Cover art
- Army of Darkness: Ash's Christmas Horror (2008) (One-Shot) - Cover art
- Danger Girl and The Army of Darkness (2011-2012) - Cover art for Issues 1-6
- Army of Darkness: Ash Gets Hitched (2014) - Cover art for Issue 1
- Ash vs. The Army of Darkness (2017) - Cover art for Issue 0
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